The expression of suspicious inquiry on her face when he began changed gradually to perplexity as he continued, and then relaxed into a faint, peculiar smile. But there was not the slightest trace of that pain, wounded pride, indignation, or anger, that he had expected to see upon it. "That means, I suppose, Mr. Brant, that YOU no longer care for her?" The smile had passed, yet she spoke now with a half-real, half- affected archness that was also unlike her. "It means," said Clarence with a white face, but a steady voice, "that I care for her now as much as I ever cared for her, no matter to what folly it once might have led me. But it means, also, that there was no time when I was not able to tell it to YOU as frankly as I do now"-- "One moment, please," she interrupted, and turned quickly towards the door. She opened it and looked out. "I thought they were calling me,--and--I--I--MUST go now, Mr. Brant. And without finishing my business either, or saying half I had intended to say. But wait"--she put her hand to her head in a pretty perplexity, "it's a moonlight night, and I'll propose after dinner a stroll in the gardens, and you can manage to walk a little with me." She stopped again, returned, said, "It was very kind of you to think of me at Sacramento," held out her hand, allowed it to remain for an instant, cool but acquiescent, in his warmer grasp, and with the same odd youthfulness of movement and gesture slipped out of the door. An hour later she was at the head of her dinner table, serene, beautiful, and calm, in her elegant mourning, provokingly inaccessible in the sweet deliberation of her widowed years; Padre Esteban was at her side with a local magnate, who had known Peyton and his wife, while Donna Rosita and a pair of liquid-tongued, childlike senoritas were near Clarence and Sanderson. To the priest Mrs. Peyton spoke admiringly of the changes in the rancho and the restoration of the Mission Chapel, and together they had commended Clarence from the level of their superior passionless reserve and years. Clarence felt hopelessly young and hopelessly lonely; the naive prattle of the young girls beside him appeared infantine. In his abstraction, he heard Mrs. Peyton allude to the beauty of the night, and propose that after coffee and chocolate the ladies should put on their wraps and go with her to the old garden. Clarence raised his eyes; she was not looking at him, but there was a slight consciousness in her face that was not there before, and the faintest color in her cheek, still lingering, no doubt, from the excitement of conversation. It was a cool, tranquil, dewless night when they at last straggled out, mere black and white patches in the colorless moonlight. The brilliancy of the flower-hued landscape was subdued under its passive, pale austerity; even the gray and gold of the second terrace seemed dulled and confused. At any other time Clarence might have lingered over this strange effect, but his eyes followed only a tall figure, in a long striped burnous, that moved gracefully beside the soutaned priest. As he approached, it turned towards him. "Ah! here you are. I just told Father Esteban that you talked of leaving to-morrow, and that he would have to excuse me a few moments while you showed me what you had done to the old garden." She moved beside him, and, with a hesitation that was not unlike a more youthful timidity, slipped her hand through his arm. It was for the first time, and, without thinking, he pressed it impulsively to his side. I have already intimated that Clarence's reserve was at times qualified by singular directness. A few steps carried them out of hearing; a few more, and they seemed alone in the world. The long adobe wall glanced away emptily beside them, and was lost; the black shadows of the knotted pear-trees were beneath their feet. They began to walk with the slight affectation of treading the shadows as if they were patterns on a carpet. Clarence was voiceless, and yet he seemed to be moving beside a spirit that must be first addressed. But it was flesh and blood nevertheless. "I interrupted you in something you were saying when I left the office," she said quietly. "I was speaking of Susy," returned Clarence eagerly; "and"-- "Then you needn't go on," interrupted Mrs. Peyton quickly. "I understand you, and believe you. I would rather talk of something else. We have not yet arranged how I can make restitution to you for the capital you sank in saving this place. You will be reasonable, Mr. Brant, and not leave me with the shame and pain of knowing that you ruined yourself for the sake of your old friends. For it is no more a sentimental idea of mine to feel in this way than it is a fair and sensible one for you to imply that a mere quibble of construction absolves me from responsibility. Mr. Sanderson himself admits that the repossession you gave us is a fair and legal basis for any arrangement of sharing or division of the property with you, that might enable you to remain here and continue the work you have so well begun. Have you no suggestion, or must it come from ME, Mr. Brant?" "Neither. Let us not talk of that now." She did not seem to notice the boyish doggedness of his speech, except so far as it might have increased her inconsequent and nervously pitched levity. "Then suppose we speak of the Misses Hernandez, with whom you scarcely exchanged a word at dinner, and whom I invited for you and your fluent Spanish. They are charming girls, even if they are a little stupid. But what can I do? If I am to live here, I must have a few young people around me, if only to make the place cheerful for others. Do you know I have taken a great fancy to Miss Rogers, and have asked her to visit me. I think she is a good friend of yours, although perhaps she is a little shy. What's the matter? You have nothing against her, have you?" Clarence had stopped short. They had reached the end of the pear- tree shadows. A few steps more would bring them to the fallen south wall of the garden and the open moonlight beyond, but to the right an olive alley of deeper shadow diverged. "No," he said, with slow deliberation; "I have to thank Mary Rogers for having discovered something in me that I have been blindly, foolishly, and hopelessly struggling with." "And, pray, what was that?" said Mrs. Peyton sharply. "That I love you!" Mrs. Peyton was fairly startled. The embarrassment of any truth is apt to be in its eternal abruptness, which no deviousness of tact or circumlocution of diplomacy has ever yet surmounted. Whatever had been in her heart, or mind, she was unprepared for this directness. The bolt had dropped from the sky; they were alone; there was nothing between the stars and the earth but herself and this man and this truth; it could not be overlooked, surmounted, or escaped from. A step or two more would take her out of the garden into the moonlight, but always into this awful frankness of blunt and outspoken nature. She hesitated, and turned the corner into the olive shadows. It was, perhaps, more dangerous; but less shameless, and less like truckling. And the appallingly direct Clarence instantly followed. "I know you will despise me, hate me; and, perhaps, worst of all, disbelieve me; but I swear to you, now, that I have always loved you,--yes, ALWAYS! When first I came here, it was not to see my old playmate, but YOU, for I had kept the memory of you as I first saw you when a boy, and you have always been my ideal. I have thought of, dreamed of, worshiped, and lived for no other woman. Even when I found Susy again, grown up here at your side; even when I thought that I might, with your consent, marry her, it was that I might be with YOU always; that I might be a part of YOUR home, your family, and have a place with her in YOUR heart; for it was you I loved, and YOU only. Don't laugh at me, Mrs. Peyton, it is the truth, the whole truth, I am telling you. God help me!" If she only COULD have laughed,--harshly, ironically, or even mercifully and kindly! But it would not come. And she burst out:-- "I am not laughing. Good heavens, don't you see? It is ME you are making ridiculous." "YOU ridiculous?" he said in a momentarily choked, half-stupefied voice. "You--a beautiful woman, my superior in everything, the mistress of these lands where I am only steward--made ridiculous, not by my presumption, but by my confession? Was the saint you just now admired in Father Esteban's chapel ridiculous because of the peon clowns who were kneeling before it?" "Hush! This is wicked! Stop!" She felt she was now on firm ground, and made the most of it in voice and manner. She must draw the line somewhere, and she would draw it between passion and impiety. "Not until I have told you all, and I MUST before I leave you. I loved you when I came here,--even when your husband was alive. Don't be angry, Mrs. Peyton; HE would not, and need not, have been angry; he would have pitied the foolish boy, who, in the very innocence and ignorance of his passion, might have revealed it to him as he did to everybody but ONE. And yet, I sometimes think you might have guessed it, had you thought of me at all. It must have been on my lips that day I sat with you in the boudoir. I know that I was filled with it; with it and with you; with your presence, with your beauty, your grace of heart and mind,--yes, Mrs. Peyton, even with your own unrequited love for Susy. Only, then, I knew not what it was." "But I think I can tell you what it was then, and now," said Mrs. Peyton, recovering her nervous little laugh, though it died a moment after on her lips. "I remember it very well. You told me then that I REMINDED YOU OF YOUR MOTHER. Well, I am not old enough to be your mother, Mr. Brant, but I am old enough to have been, and might have been, the mother of your wife. That was what you meant then; that is what you mean now. I was wrong to accuse you of trying to make me ridiculous. I ask your pardon. Let us leave it as it was that day in the boudoir, as it is NOW. Let me still remind you of your mother,--I know she must have been a good woman to have had so good a son,--and when you have found some sweet young girl to make you happy, come to me for a mother's blessing, and we will laugh at the recollection and misunderstanding of this evening." Her voice did not, however, exhibit that exquisite maternal tenderness which the beatific vision ought to have called up, and the persistent voice of Clarence could not be evaded in the shadow. "I said you reminded me of my mother," he went on at her side, "because I knew her and lost her only as a child. She never was anything to me but a memory, and yet an ideal of all that was sweet and lovable in woman. Perhaps it was a dream of what she might have been when she was as young in years as you. If it pleases you still to misunderstand me, it may please you also to know that there is a reminder of her even in this. I have no remembrance of a word of affection from her, nor a caress; I have been as hopeless in my love for her who was my mother, as of the woman I would make my wife." "But you have seen no one, you know no one, you are young, you scarcely know your own self! You will forget this, you will forget ME! And if--if--I should--listen to you, what would the world say, what would YOU yourself say a few years hence? Oh, be reasonable. Think of it,--it would be so wild,--so mad! so--so--utterly ridiculous!" In proof of its ludicrous quality, two tears escaped her eyes in the darkness. But Clarence caught the white flash of her withdrawn handkerchief in the shadow, and captured her returning hand. It was trembling, but did not struggle, and presently hushed itself to rest in his. "I'm not only a fool but a brute," he said in a lower voice. "Forgive me. I have given you pain,--you, for whom I would have died." They had both stopped. He was still holding her sleeping hand. His arm had stolen around the burnous so softly that it followed the curves of her figure as lightly as a fold of the garment, and was presumably unfelt. Grief has its privileges, and suffering exonerates a questionable situation. In another moment her fair head MIGHT have dropped upon his shoulder. But an approaching voice uprose in the adjoining broad allee. It might have been the world speaking through the voice of the lawyer Sanderson. "Yes, he is a good fellow, and an intelligent fellow, too, but a perfect child in his experience of mankind." They both started, but Mrs. Peyton's hand suddenly woke up and grasped his firmly. Then she said in a higher, but perfectly level tone:-- "Yes, I think with you we had better look at it again in the sunlight to-morrow. But here come our friends; they have probably been waiting for us to join them and go in." . . . . . . . The wholesome freshness of early morning was in the room when Clarence awoke, cleared and strengthened. His resolution had been made. He would leave the rancho that morning, to enter the world again and seek his fortune elsewhere. This was only right to HER, whose future it should never be said he had imperiled by his folly and inexperience; and if, in a year or two of struggle he could prove his right to address her again, he would return. He had not spoken to her since they had parted in the garden, with the grim truths of the lawyer ringing in his ears, but he had written a few lines of farewell, to be given to her after he had left. He was calm in his resolution, albeit a little pale and hollow-eyed for it. He crept downstairs in the gray twilight of the scarce-awakened house, and made his way to the stables. Saddling his horse, and mounting, he paced forth into the crisp morning air. The sun, just risen, was everywhere bringing out the fresh color of the flower- strewn terraces, as the last night's shadows, which had hidden them, were slowly beaten back. He cast a last look at the brown adobe quadrangle of the quiet house, just touched with the bronzing of the sun, and then turned his face towards the highway. As he passed the angle of the old garden he hesitated, but, strong in his resolution, he put the recollection of last night behind him, and rode by without raising his eyes. "Clarence!" It was HER voice. He wheeled his horse. She was standing behind the grille in the old wall as he had seen her standing on the day he had ridden to his rendezvous with Susy. A Spanish manta was thrown over her head and shoulders, as if she had dressed hastily, and had run out to intercept him while he was still in the stable. Her beautiful face was pale in its black-hooded recess, and there were faint circles around her lovely eyes. "You were going without saying 'goodby'!" she said softly. She passed her slim white hand between the grating. Clarence leaped to the ground, caught it, and pressed it to his lips. But he did not let it go. "No! no!" she said, struggling to withdraw it. "It is better as it is--as--as you have decided it to be. Only I could not let you go thus,--without a word. There now,--go, Clarence, go. Please! Don't you see I am behind these bars? Think of them as the years that separate us, my poor, dear, foolish boy. Think of them as standing between us, growing closer, heavier, and more cruel and hopeless as the years go on." Ah, well! they had been good bars a hundred and fifty years ago, when it was thought as necessary to repress the innocence that was behind them as the wickedness that was without. They had done duty in the convent at Santa Inez, and the monastery of Santa Barbara, and had been brought hither in Governor Micheltorrenas' time to keep the daughters of Robles from the insidious contact of the outer world, when they took the air in their cloistered pleasance. Guitars had tinkled against them in vain, and they had withstood the stress and storm of love tokens. But, like many other things which have had their day and time, they had retained their semblance of power, even while rattling loosely in their sockets, only because no one had ever thought of putting them to the test, and, in the strong hand of Clarence, assisted, perhaps, by the leaning figure of Mrs. Peyton, I grieve to say that the whole grille suddenly collapsed, became a frame of tinkling iron, and then clanked, bar by bar, into the road. Mrs. Peyton uttered a little cry and drew back, and Clarence, leaping the ruins, caught her in his arms. For a moment only, for she quickly withdrew from them, and although the morning sunlight was quite rosy on her cheeks, she said gravely, pointing to the dismantled opening:-- "I suppose you MUST stay now, for you never could leave me here alone and defenseless." He stayed. And with this fulfillment of his youthful dreams the romance of his young manhood seemed to be completed, and so closed the second volume of this trilogy. But what effect that fulfillment of youth had upon his maturer years, or the fortunes of those who were nearly concerned in it, may be told in a later and final chronicle.
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